我是一只猪 I Am a Pig
猪的独白 Monologue of a Pig
我是一只猪，我为人类提供了肉、油脂，甚至连骨头都被彻底利用。可人类只取走他们需要的，杀了我的生命，却将我的皮随意丢弃，仿佛它一文不值。 I am a pig. I have given humans my flesh, my fat—even my bones are fully utilized. Yet they take only what they desire. They end my life, then discard my skin as worthless.
这层皮，是我与世界的纽带。它随我生长，保护着我的身体，又在一次次蜕变中悄然褪去。它承载着我与土地、时间的联系，是我最真实的存在。 This skin was my connection to the world. It grew with me, shielding my body, shedding quietly with each transformation. It carried my bond with the earth and time—my most authentic existence.
每一次褪去，都带着鲜红的痕迹。这不是终结，而是生命的循环。鲜红流淌时，是一次告别，更是一次延续，它无声地述说着自然的节律。 Every shedding left crimson traces. This was not an end, but life’s cyclical rhythm. When that red flowed, it was both a farewell and a continuation, whispering nature’s cadence.
这皮与我的血肉紧密相连，经历风霜，也感受过温暖。但那些鲜红的痕迹，却因其颜色而被轻视、厌弃， 最终消失在人们的遗忘里。 This skin, intertwined with my flesh, endured storms and absorbed warmth. Yet those crimson marks were despised for their hue—rejected, forgotten.
被丢弃的皮，带走了我的一部分，却留下了生命的回响。它是时间的印记，是生长与蜕变的见证，也是对生命的低声回应。 The discarded skin took a part of me, yet left behind life’s echo. A imprint of time, a witness to growth and metamorphosis, a murmured reply to existence itself.
鲜红褪去时，似乎归于平静，但那生命的节奏从未停止。它一次次重复，像是身体与世界的对话，诉说着存在的意义。 When the red fades, all seems still—yet life’s pulse never ceases. It repeats, like a dialogue between body and world, speaking the meaning of being.
人类忽视这些痕迹，认为它们无关紧要。但正是这些被抛弃的鲜红，默默记录了每个平凡生命的轨迹，述说着我们的故事。 Humans dismiss these traces as insignificant. But it is precisely this abandoned crimson that silently records the path of every ordinary life… and tells our story.
作品采用仿猪皮材质，通过特殊涂层工艺模拟生物表皮的油脂残留状态，探讨社会对自然生理现象的不公评价与偏见。猪皮与经血的隐喻体系在物质转化中构建：虽然二者在生命系统中的角色不同，但都被简化为「需清除的分泌物」——
-经血：被遮蔽的生殖力符号 - 猪皮：被剥离的生命保护层
七张皮革以渐进褪色工艺记录猪的生命周期，表面肌理刻意保留哑光油渍效果，迫使观者直视文明规训下的「洁净」伪逻辑。悬挂装置挪用屠宰场的空间语法，揭露人类对生命物质的双重标准：崇拜生命却否定其代谢过程。
Porcine Ephemera: Metabolic Stigma and the Politics of Purity
This installation employs synthetic pigskin with matte-finish coating to simulate biological sebum residue, interrogating the cultural devaluation of physiological processes. The transposed metaphor between menstrual blood and animal byproducts reveals a shared fate: both are reduced to «secretions demanding erasure» within anthropocentric hierarchies.
- Menstrual Blood→ The cloistered sigil of fecundity - Pigskin→ Flayed carapace of corporeal defense
Seven leather panels, processed with gradient-fading technique, document a swine’s life cycle through epidermal decay. Their simulated sebaceous residue (matte texture achieved via acrylic layering) confronts viewers with the fallacy of «sanitation». By appropriating slaughterhouse spatial syntax—meat hooks, clinical spacing—the work mirrors society’s schizophrenic stance: fetishizing life while abhorring its metabolic truth.
