Баю-баюшки-баю — это мини-фильм для бренда PREDUBEZHDAI, повествующий об обонятельном перемещении во времени, в котором запах становится своеобразным порталом в забытый мир детства.
Атмосфера диссонирует между спокойствием и тревогой. Это сказка глазами человека, который случайно в неё попал и не уверен, стоит ли здесь оставаться.
Всё выглядит правдиво и немного тревожно. Сказка в этом лесу не придумана, а будто найдена. Она существует рядом, просто обычно остаётся незамеченной.
Анимационный проект был реализован на базе функционала нейросетей Kling 3.0 и Nana Banana Pro. Постобработка выполнена в After Effects.
Шаблон составления промпта, который использовался для создания серии генерации статичных изображений в Nana Banana Pro:
[SUBJECT + CORE VISUAL], [POSE + NATURAL PHYSICS], [ENVIRONMENT + TIME], [CAPTURE MEDIUM / ERA STYLE], [LIGHTING BEHAVIOR], [IMPERFECTIONS + ARTIFACTS], [COLOR PROFILE], [DETAIL LEVEL], [PERCEPTUAL MOOD], [QUALITY] --s [value] --ar [ratio] seed [value]
Пример промпта:
Photorealistic dramatic white swan floating on dark, still water, elegant curved neck, naturally layered white feathers with fine structural detail. The swan maintains a natural, relaxed posture with subtle organic micro-movements, no artificial posing. The scene takes place at night, surrounded by deep darkness, with water barely visible beyond the subject, creating a moody and slightly eerie atmosphere. Captured in the raw, gritty visual style of an early 2000s consumer digital camera snapshot. Direct harsh on-camera flash hits the swan, creating uneven illumination — strong highlights on the feathers, partially blown-out whites, and harsh contrast. The background falls into deep shadow with visible noise and limited dynamic range. Realistic camera imperfections: noticeable sensor noise in darker areas, slight color inaccuracy, mild green/magenta shifts, flash glare, subtle lens imperfections, and imperfect tonal transitions. The image feels unpolished and candid, like a случайный ночной снимок без художественной обработки. Color palette is slightly desaturated with uneven rendering typical of early digital sensors, whites are not perfectly clean, shadows are muddy and grainy. Highly detailed feather texture with natural irregularities, realistic water surface interaction, no stylization. Feels like a raw documentary snapshot, not staged, not cinematic — grounded in physical realism and imperfection. Ultra-detailed, photorealistic, 4K.
Шаблон составления промпта, который использовался для создания серии генерации динамичных изображений в Kling 3.0:
[CAMERA MOTION], [START FRAME], [PRIMARY SUBJECT + POSITION], [PHYSICS OF PRIMARY SUBJECT], [SUBTLE MICRO-MOVEMENTS], [SPATIAL REVEAL], [SECONDARY SUBJECT + BEHAVIOR], [PHYSICAL RELATIONSHIP], [VISUAL CAPTURE STYLE], [LIGHTING + MATERIAL RESPONSE], [CONSISTENCY CONSTRAINTS], [MOTION PHYSICS], [RENDER QUALITY]
Negative prompt: [ANTI-GLITCH + ANTI-CGI + ANTI-DEFORMATION]
Пример промпта:
Smooth cinematic camera movement with a controlled downward tilt and descent. The shot begins focused on a mermaid suspended in mid-air, hanging from a rope, her body vertically oriented and gently swaying. The camera slowly tilts down and descends, maintaining a stable, physically grounded trajectory. The transition is entirely camera-driven — no morphing, no transformation, no visual discontinuity.
The mermaid exhibits biologically plausible motion: her body weight subtly shifts with gravity, the rope responds with slight tension and natural sway. Her tail moves minimally with correct aquatic inertia — not exaggerated, but softly reacting as if influenced by both air and residual water weight. Secondary motion is present in small details — slight oscillation, delayed movement, natural damping.
Her wet scales reflect the harsh direct flash light with realistic specular highlights, uneven reflections, and slight glare. Materials behave physically correct — no plastic shine, no artificial smoothness.
As the camera continues descending, the frame naturally reveals the water surface below — dark, heavy, and still. Gradually, a white swan comes into view, floating calmly. The swan behaves naturally, drifting slowly with subtle water displacement and soft ripples expanding outward.
The relationship between elements remains physically coherent: reflections on water respond to light, ripples interact with the swan’s movement, and the spatial depth feels continuous and uninterrupted.
Visual style follows early 2000s digital night photography — harsh direct on-camera flash, deep shadows, limited dynamic range, visible noise in dark areas, slight color inaccuracy. The background remains dark and undefined, enhancing the eerie, grounded atmosphere.
Motion throughout the scene is smooth, stable, and physically believable — no jitter, no flicker, no unnatural acceleration. Geometry remains consistent across frames.
Photorealistic rendering, grounded materials, cinematic but raw aesthetic, no stylization.
Negative prompt:
morphing, transformation, body distortion, extra limbs, broken anatomy, unnatural motion, jitter, flicker, frame warping, CGI artifacts, plastic textures, surreal deformation, rubber-like movement, inconsistent lighting, temporal instability
