In my printing poster, it’s not a smooth surface, it’s a complicated path: it’s complicated, it’s prickly, it requires attention and internal discipline. The intersections of letters and background form a visual maze in which form and space interact with each other all the time. This «iron» structure becomes a metaphor for the designer’s profession itself: through resistance to material, through complexity and search, expression is born. Printing here is a living organism in which tension and chaos turn into a system and difficulty into beauty.
(shrift generated in i)
My poster and identics for the DAFES «Tipographics» contest grew from an experiment in a poster lab where we were asked to create a typeface using artificial intelligence, one that could not be built manually. I developed my own alphabet, in which each letter is like a lull made of metal threads and sharp processes, and then I put it together in a single word, «typographics». Artificial intelligence has become not an instrument of simplification, but a way to go beyond the usual graphic logic and create a form that exists on the edge of control and accident.
A series of posters
